If your path is open rather than closed – in other words, if the starting point and end point are not joined together – then you can decide how you want the strokes to appear at the ends. But when your object has sharp angles, you will have to increase the Miter value to prevent the stroke from being sheared off (appearing beveled) at the joins. In rectangular objects, it has no effect. This is how far the stroke is allowed to stick out at the join. With mitered joins you can set the miter limit. Again, there are three options: joins can be rounded, beveled, or mitered (squared off). If your stroke is aligned to the outside your object, then you have a choice of what happens at the corners. You can change this, using the Align setting, to be either inside or outside the object instead. Aligning Strokes: Centered, Inside, or Outsideīy default, a stroke is centered on the path of your object. And if you’re an Adobe Illustrator user, this will all be very familiar to you. You can control all aspects of an object’s stroke using the Stroke panel. The stroke is the outline around the perimeter. Objects in Affinity Designer, like all vector artwork, have two fundamental formatting attributes: fill and stroke.
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